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Encore!

Designing interfaces and gameplay for a rhythm game x visual novel

Shipped Game

UI/UX Design

Systems Thinking

Team Leadership

Led UI/UX design and game design for Encore! with a 23-person student team over one year. Shipped on Steam with 1000+ views and submitted to to the Independent Games Festival.

Led UI/UX design and game design for Encore! with a 23-person student team over one year. Shipped on Steam with 1000+ views and submitted to to the Independent Games Festival.

Timeline

Sept. 2024 -

Sept. 2025

Team

23 student developers across four sub-teams

Roles

Project Lead

UI/UX Designer

Game Designer

Tools

Unity

Illustrator

Figma

Notion

Skills

Systems Design

UI/UX Design

UI Engineering

Project Management

Tools

Figma

Claude Code

Notion

Skills

Product Design

Research Strategy

User Testing

Watch the alpha demo trailer!

Watch the alpha demo trailer!

Context

Encore! was one of Yale Game Developers' two yearlong projects

Players enroll at an inter-dimensional music school and recruit a 12-character band to win Battle of the Bands, moving between a visual novel layer and a rhythm game layer. I designed 9 UI screens end-to-end, concept through prototyping through in-engine implementation through user testing, and led game design direction and project management from pitch to Steam release.

9

9

9

Unique UI Screens

Designed, prototyped and engineered in engine by me

~3 hr

~3 hr

~3 hr

Game Length

Three hours required to complete the main story mode

1000+

1000+

1000+

Views

Across platforms and releases (Steam and itch.io)

The gap

Forum research found players of both genres, and zero games serving them together

Digging through fan forums and social media, with DDR, Rock Band 3, Persona 5, and Monster Prom as reference points, I found a real overlap: a meaningful share of rhythm-game fans also play visual novels, with no existing title serving both audiences in one system.

Problem Statement

  1. What do fans expect from a good visual novel or rhythm game on their own?

  1. How do we communicate systems we need to teach them for a hybrid rarely seen before?

Ideation

Innovating on rhythm-game mechanics is hard. Innovating on the systems around them isn't.

Using FigJam, Notion, and Pinterest, I led sticky-note boards, mind maps, and game design docs that set the project's core principles. The team recognized early that reinventing note-hitting itself wasn't realistic within a year, so innovation had to come from the supporting systems and how the two genres' mechanics fed into each other.

Early Brainstorming Sketches

Core Systems

Three systems tie the story to the song.

The Spotlight SystemSwitching which character leads mid-song changes their notemap.
Character Recruitment
Modular Music Tracks
The Spotlight SystemSwitching which character leads mid-song changes their notemap.
Character Recruitment
Modular Music Tracks

How do you let progress in one half of the game unlock the other, without letting players get stuck?

I mapped the full player journey in flow charts to find where the two disparate systems needed a unifying design.

Player Gameplay Flow

How can the game reward doing well in one half of the game to the other while avoiding friction and confusion with two disparate game modes?

The chemistry system.

Chemistry is gained in the visual novel and locks progression in the rhythm game.

Solving the chemistry system

One softlock risk, one unreadable scoring system, two design fixes.

Problem: Blocked Progression

Players can be softlocked with no band with a high enough chemistry score, leaving them stuck with no way to progress

Solution

I designed a flexible floor that recalculates the minimum threshold dynamically, paired with new UI popups and dialogue explaining the mechanic in-scene.

Problem: Unclear Scoring

Players didn't understand why they were stuck — sliders and text weren't communicating the mechanic.

Solution

Flow-charting the exact pain points led to simpler pop-ups and copy that clarified without over-explaining.

Components & Implementation

Nine screens, one visual language, almost no reusable components.

Every screen is functionally unique, so I built consistency through typography, color, and motion instead of a shared component library. This approach led to wildly different screens and a visual language that focuses on poppy, bright, and striking visuals.

Pause Screen Design Process (Sketch -> Prototype -> Implementation)

UI Element Library Examples

Running the project

Managing 23 volunteers for a year meant treating documentation as a design deliverable.

As Project Lead, I ran the yearlong build through Notion's Kanban and Timeline tools and Discord for day-to-day coordination, keeping a central source of truth for design decisions. With a fully volunteer team, regular check-ins and deadline-based workflows mattered as much as any individual screen.

Validation

Players loved the style. They got lost in the systems.

An alpha demo in April 2025 drew an 11-response survey plus in-person playtesting.

Positives

UI style and flair

Music and art direction

Narrative style and character storylines

Negatives

Unclear instructions for control schemes

Distracting sound design

Accidental closing of menus and screens

Iterations and Refinements

That fed a focused round of fixes to address user friction for our final release.

Choice Button Revamp

Clarity of hover and selected state, added flair and animations

Input Control Clarity

Added control scheme icons to signify number keys

Info Popups

Provide active help to the user with modals on stats, warnings, and underlying systems

Quit Confirmation Warnings

Stop the user and prevent accidental quitting to give clearer guidance between screens.

New Video Tutorials

Replaced text-based tutorials with animated video tutorials for clearer instruction.

Reflection

Bringing a game from 0 to 1, wacky idea to release!

After a year of development and many changing hands, the game is currently out on Steam! The game was also submitted to Independent Games Festival with a full campaign!

What I'd bring with me to my next project…

On balancing style with clarity

On balancing style with clarity

On balancing style with clarity

Encore! communicates almost entirely through menus and interfaces, so every decision balanced striking visuals against clarity. The same playtest that praised the art direction flagged the sound design as distracting, proof that a UI-heavy game needs every sensory layer held to the same bar, not just the screens.

On leading without hand-holding

On leading without hand-holding

On leading without hand-holding

My first time directing a team this large, and the hardest calibration wasn't a design problem, rather it was how much direction players and teammates actually needed. Too much guidance made players feel babysat; too little left them softlocked. I learned the balance by flow-charting exactly where players got stuck, then fixing only that.

Contact chrisshia09@gmail.com for password access!

Chris Shia (Updated Aug. 2026)

Made with Framer, Figma, Claude Code

Send me a message!

Contact chrisshia09@gmail.com for password access!

Chris Shia (Updated Aug. 2026)

Made with Framer, Figma, Claude Code

Send me a message!

Contact chrisshia09@gmail.com for password access!

Chris Shia (Updated Aug. 2026)

Made with Framer, Figma, Claude Code

Send me a message!